REVIEW: Colored People Time by Manny Fidel

Reviewed by Tommy Ebrahimi  Colored People Time, the debut collection from writer-producer Manny Fidel, is an uneven read. Driven by Fidel’s personable and at times overly colloquial style, the assembled essays and criticism focus on time’s influence over identity. Essays about 9/11’s irrevocable shift in the author’s worldview, for example, appear alongside eulogies for the summer of 2016, the dying…

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TCR Talks with Megan Milks, author of Mega Milk

By Sophie Ann Hinkson Some authors have a magnetic pull—you keep returning to them, as if by fate. Megan Milks is one such writer, first gaining attention with the body-horror short story “Slug,” from their eponymous collection. Milks is also the author of the novel Margaret and the Mystery of the Missing Body and the recently released Mega Milk, all published by Feminist Press. Their books explore…

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TCR Talks with Toni Ann Johnson, author of But Where’s Home?

By Angelo A. Williams  Toni Ann Johnson is a writer The Coachella Review has championed since we published her short story “Daughtered Out” and nominated it for a Pushcart Prize. An award-winning television and film writer and the author of the Flannery O’Connor Prize–winning collection Light Skin Gone to Waste, Johnson has built a career exploring Black family life with…

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TCR Talks with Tim O’Leary, writer and director of Laid Bare

By Geordie Stock Tim O’Leary’s work is a family affair: he and his husband, Robert Rice, have worked together to put their unique, modern stamp on episodic stories. The duo’s production company, Murder and Gay Stuff, has created streaming shows such as Demonhuntr (now on Amazon Prime and YouTube channel Here TV) and their latest effort, Laid Bare, which is…

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REVIEW: The Snakes That Ate Florida by Ian Frazier

Reviewed by Tommy Ebrahimi Ian Frazier is obsessed with details and with the specific: the color of an old friend’s kitchen (daffodil yellow), the length of the world’s largest beaver dam (2,790 feet), the inscription on an armored car from the Russian Revolution (“Enemy of Capital”). This particularity suffuses everything Frazier writes. In The Snakes That Ate Florida—a compilation of…

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