By: Jaime Stickle
My introduction to Gloria Harrison was the short film Let’s See How Fast This Baby Will Go, based on her essay of the same title, first published by The Nervous Breakdown. It is the true story of a nineteen-year-old woman in labor, on the verge of giving away her baby, who first stops to buy a car. That woman is Gloria.

Gloria Harrison is a storyteller whose work has appeared on The Nervous Breakdown, This American Life, The Weeklings, Fictionaut, Other People with Brad Listi podcast, The Manifest Station, and Sweatpants and Coffee. In January 2017, a short film adaptation of her story that appeared on This American Life, “Let’s See How Fast This Baby Will Go,” was released by Australian director Julietta Boscolo. It is currently playing at film festivals around the world.
If there was a warning label on the cover of Kristi Coulter’s debut book of essays, Nothing Good Can Come from This, it might read, “This book will cause you to interrogate your life, habits, and doctrines and challenge any previous assessments made about your relationship with alcohol.” That is not to say Coulter’s essays presume to convince the reader of a closeted drinking problem; rather, her heart-rendering prose ladled with sardonic wit create a rumination on the mundane persistence of time, the dichotomy of who we are and who we pretend to be, and the nature of society and compromises required therein, which, if one is not careful, can accumulate into addiction. With a quick and often dark cadence, Coulter weaves her essays to create a remarkable story about the unremarkableness of her journey to sobriety, not in the feat itself, but in the banal scenarios that led to her drinking and decision to stop. There is no melodrama infused in the stories of her alcoholism or sobriety, no sensationalism about addiction, no wringing hands or desperate pleas to the gods. As Coulter explains, after years of massages, yoga, therapists, and other attempts to trick her into wanting to quit, she woke up one day and realized, “what I wanted was no longer important. I would just have to wait and hope that eventually I would want something else.”
Janet Scott Batchler is the author (with her husband and writing partner, Lee Batchler) of Smoke and Mirrors, Batman Forever, Pompeii, and My Name Is Modesty. Most recently, they have written Jack and Dick, a behind-the-scenes look at the 1960 Kennedy-Nixon election, set to go before the cameras in 2019 with Hyde Park Entertainment. She is a graduate of the prestigious Directing Workshop for Women at the American Film Institute and served on the Board of Directors of the Alliance of Women Directors from 2004 to 2010. Batchler is currently a screenwriting professor at the University of Southern California’s School of Cinematic Arts.

BY D.M. Olsen