TCR Talks with Gloria Harrison

By: Jaime Stickle

My introduction to Gloria Harrison was the short film Let’s See How Fast This Baby Will Go, based on her essay of the same title, first published by The Nervous Breakdown. It is the true story of a nineteen-year-old woman in labor, on the verge of giving away her baby, who first stops to buy a car. That woman is Gloria.

Gloria Harrison is a storyteller whose work has appeared on The Nervous Breakdown, This American Life, The Weeklings, Fictionaut, Other People with Brad Listi podcast, The Manifest Station, and Sweatpants and Coffee. In January 2017, a short film adaptation of her story that appeared on This American Life, “Let’s See How Fast This Baby Will Go,” was released by Australian director Julietta Boscolo. It is currently playing at film festivals around the world.

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Book Review: Kristi Coulter’s “Nothing Good Can Come From This”

By Charli Engelhorn

If there was a warning label on the cover of Kristi Coulter’s debut book of essays, Nothing Good Can Come from This, it might read, “This book will cause you to interrogate your life, habits, and doctrines and challenge any previous assessments made about your relationship with alcohol.” That is not to say Coulter’s essays presume to convince the reader of a closeted drinking problem; rather, her heart-rendering prose ladled with sardonic wit create a rumination on the mundane persistence of time, the dichotomy of who we are and who we pretend to be, and the nature of society and compromises required therein, which, if one is not careful, can accumulate into addiction. With a quick and often dark cadence, Coulter weaves her essays to create a remarkable story about the unremarkableness of her journey to sobriety, not in the feat itself, but in the banal scenarios that led to her drinking and decision to stop. There is no melodrama infused in the stories of her alcoholism or sobriety, no sensationalism about addiction, no wringing hands or desperate pleas to the gods. As Coulter explains, after years of massages, yoga, therapists, and other attempts to trick her into wanting to quit, she woke up one day and realized, “what I wanted was no longer important. I would just have to wait and hope that eventually I would want something else.”

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Bread and Circuses

BY: Wendy Fontaine

While roasting a chicken for dinner and mixing banana bread for the weekend, I turn on the television to listen to the news, mostly for background noise. The regular reporting is on hold, though, as the driver of a red Ford Explorer leads the California Highway Patrol on a chase through North Hollywood, Studio City, and Sherman Oaks. Normally, these pursuits happen at night, under cover of darkness on relatively empty freeways, blue lights flashing through the neighborhoods of Los Angeles. But this chase is different: it is happening at five o’clock in a residential area near the Westfield Fashion Square shopping center off Woodman Avenue. I know the area well; it’s one block from my yoga studio, two blocks from my favorite nail salon.

I set the oven to 350 degrees, then turn up the volume on the television.

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Partner Of —

 By Rachael Carnes

CHARACTERS

SALLY (Born Sarah) — 14 years old.

ELIZABETH (Called “Betty”) — Sarah’s mother.

SUSANNA — Sarah’s grandmother, a ghost.

(These three women should be played by African-American performers.)

SETTING: Underneath Monticello, in the mansion’s south wing — In a cold, windowless room laid with plaster and brick.

TIME:  2018 and 1787

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TCR Talks with Janet Batchler

By Billy Minshall

Janet Scott Batchler is the author (with her husband and writing partner, Lee Batchler) of Smoke and Mirrors, Batman Forever, Pompeii, and My Name Is Modesty. Most recently, they have written Jack and Dick, a behind-the-scenes look at the 1960 Kennedy-Nixon election, set to go before the cameras in 2019 with Hyde Park Entertainment. She is a graduate of the prestigious Directing Workshop for Women at the American Film Institute and served on the Board of Directors of the Alliance of Women Directors from 2004 to 2010. Batchler is currently a screenwriting professor at the University of Southern California’s School of Cinematic Arts.

The Coachella Review talks with Batchler about writing, teaching, and the film business.

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Book Review: Tao Lin’s “Trip”

BY EMILY DUREN

If you want to find out what it feels like, both mentally and physically, to take nearly every psychedelic drug without having to suffer the side effects, look no further than novelist and poet Tao Lin’s Trip: Psychedelics, Alienation, and Change.

            Trip, Lin’s first memoir, centers on the time he was working on his novel Taipei, during which he discovered the work of the late Terrence McKenna, one of the biggest proponents of psychedelics. Deeply alienated while writing Taipei, Lin discovers McKenna’s research and becomes infatuated with the questions he poses about language, beliefs, and existence. However, interest eventually turns to adoption, and the reader is taken through a drug-fueled journey of DMT, MDMA, and many other psychedelics.

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Underwater Beams

By: Nancy de Guerre

I think about you sometimes, though it’s been so long. That day on the lake in the little tin boat. We had fishing rods and books and the sun beat down on us. You wore that Indiana Jones hat, and I had a big floppy one. It was like we were a couple of movie stars. The summer just after my mother died. You stuck the wriggling worms on the sharp hook, and I lay back on a life jacket and read love poems to you.

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TCR Talks with Eli Ryder

By: Daniela Montes

Eli Ryder is a man as diverse as the fiction he loves. He is a professor, a father, and a writer. He goes from playing the guitar and singing around a campfire to filling you with horror when you read his prose. His story “A Quiet Street” was a Roswell Award honorable mention this year. Eli is one of the cofounders of the online literary magazine Automata, where he and his colleagues publish prose that pushes the boundaries of weird.

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Book Review: Maria Hummel’s “Still Lives”

BY D.M. Olsen

It’s the opening night of Still Lives at the Roque Museum and it’s the buzz of the art scene in Los Angeles. It’s also the wildly anticipated return of Kim Lord, who has conjured up a twelve-piece exhibit portraying the murdered bodies of famous victims including Elizabeth Short, Gwen Araujo, Chandra Levy, and Nicole Brown Simpson. The only issue is, Kim Lord never shows up.

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Book Review: Stuart Kells’s “The Library”

BY A.M. LArks

It’s hard to say that The Library by Stuart Kells is about a single library, or even the idea of a library as we have come to know it—a collection of books that the public can borrow. Stuart Kells’s library is both a historical compilation of well-researched facts that informs the public about the origins of our notion of the “library” and the examination of those assumptions.

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