By J.Z. Manley
“I am a girl, a female, always in danger of assault,” writes Zoe Zolbrod, quoting Sylvia Plath in her memoir, The Telling, a raw examination of the author’s emotional ambiguity in the aftermath of her sexual abuse. Zoe is four when her cousin, Toshi, first enters her room in the middle of the night and presses his fingers against her crotch. The abuse continues over the next year, but Zoe doesn’t tell anyone until she’s twelve, and even then, she’s not sure whether she’s been traumatized by it or not, whether she’s a victim or not. She uses the word molested, “Because it’s a big deal, right? The happening of it? The naming it? Or is it not?” Can trauma affect her life without completely defining it? Is she strange for thinking this way?