By eli ryder
New Mexico, 1965. Three seasoned killers converge on each other, then on a cult leader and a consuming force of darkness that threatens to overtake the world. Fresh, unflinching horror ensues. This is Nick Cutter’s Little Heaven. New Mexico is the perfect sparse setting for this modern take on classic westerns; outlaws, revenge, a maiden in distress, and a reverend that makes the most unhinged Pentecostal tongue-speaker feel perfectly sane all combine in a series of story beats Louis L’Amour would have found comfortably familiar, if he could stomach the visceral punches Cutter weaves throughout, a la Cormac McCarthy. Little Heaven’s New Mexico has “scratch-ass” towns with “straggle-ass” streets in which hired guns ask their targets, “Are you square with your creator?” before dispatching them to what lies beyond.

T. Greenwood’s new novel, The Golden Hour, is a beautiful, haunting mystery folded into the personal drama of a woman finding her artistic truth. When she was thirteen, Wyn took a shortcut through the woods on her way home. What happened there would send Robby Rousseau to jail and forever mark her as a cautionary tale to other girls. Twenty years later, living next door to her ex-husband, Wyn is unhappily painting generic landscapes to pay the bills when she learns that new DNA evidence might set Robby free.
Wild, beautiful, bawdy, and vivid, C. W. Cannon’s new novel,
Roxane Gay’s Difficult Women is a relentless and thrilling read. As in much of Gay’s other work, particularly her novel An Untamed State, there is no looking away from brutality, yet moments of grace, beauty, and humor serve as striking counterparts to the more unsettling passages.