By Nathania Seales Oh

What My Mother and I Don’t Talk About goes beyond the catchy title and delivers a visceral account of maternal relationships that span from childhood memory to adult reckoning. Michele Filgate curates a touching anthology with authors who are not only authentic but often unforgiving as they examine the role their mothers play or have played in their lives. They dissect the mother-and-child dynamic as it currently exists or as expired, while searching for the truth. Stories range from hysterical to heartbreaking, all the while transcending social, cultural, and economic boundaries. Each essay is both unique and universal in detailing the writers’ desire to be loved and understood, just as they also yearn to understand their mothers. They resolve to see their moms as real people—flawed and beautiful, hated and loved.

Sunshine changes the world under your nose. There’s one kind of smell from pavement right after it rains, and a slightly different one when the sun heats it to a muggy steam afterward. Freshly mowed grass becomes muskier under the sun’s blanket, pine forests sharper in its embrace. On a motorcycle, immersion in the land’s constantly changing hues, from roadside to horizon, is inevitably chased by these shifting aromas, the speed of light being a bit faster than the speed of smell. And so, as we dove and crested blue-line highways through the pillowy hills of Iowa farmland between Council Bluffs and Des Moines, clouds burned away from the face of the sun, encouraging freshly tilled fields, wildflowers, and sheep farms to vie for dominance in color and scent.
New York Times best-selling author Laurie Halse Anderson departs from her beloved YA fiction with Shout, her brilliant new memoir written in verse.
Elaine Grogan Luttrull is not your average CPA. Through her company, Minerva Financial Arts, Luttrull works to build financial literacy in creative professionals and creative arts organizations, helping people figure out how to make the business side of their creative ventures a financial reality.

made out of wood.
“For as human beings, we can’t avoid being part of the artistic process, where source, creation, and effect are inextricably bound together. Here in our necessity,” Inger Christensen writes in her collection of selected essays, The Condition of Secrecy, which contain, in part, her thoughts on writing and its fundamental role in human existence.