Book Review: Dear Twin

By Sarah Sheppeck

Are you Asian? Queer? Mixed race? A twin? No? Then Addie Tsai’s debut novel Dear Twin isn’t for you—emphasis intentional.

Don’t misunderstand—there’s broader appeal in this narrative, which also tackles the less niche topics of interpersonal relationships, individuality, and abuse, both emotional and physical. But it’s clear that in this deeply personal young adult novel, fictionalized in part from the bones of her own memoir, Tsai hopes to reach certain young adults—those who identify at a core level with her pansexual, Asian-and-white, daughter-of-a-first-gen-immigrant narrator, Poppy, who can add the additional hyphenate of “identical twin” to her list of particular identities. In fact, Poppy isn’t just a twin, but a mirror twin, meaning that she and her sister Lola (short for Lolita—there are layers to that) have matching-but-opposite physical traits, like a birthmark that appears on the left side of Poppy’s face but the right side of Lola’s.

Attending a Reading: Jamel Brinkley’s “A Lucky Man”

By AM Larks

It is almost 11:45 a.m. on a rare sunny day in Berkeley and instead of being outside, I am sitting in the basement lecture hall of Berkeley City College that smells vaguely of feet. My cell phone doesn’t get reception, so I cannot distract myself from my impatience and anxiety. I am anxious because I want to like this panel of authors, because I deeply respect the moderator, and because I need something to write about, to tie into, my review of Jamel Brinkley’s collection A Lucky Man.

Book Review: T Kira Madden’s “Long Live the Tribe of Fatherless Girls”

By: Pallavi Yetur

The debut memoir of essayist T Kira Madden has already been hailed as a gorgeous and harrowing coming-of-age story. And so it is. But the delivery of her story is nowhere near as generic as the term “coming-of age.” In this memoir Madden achieves the feat of creating universal nostalgia and relatability while crafting a world uniquely her own. Conflicts abound—between her mother and father, between her fantasies and reality, between her inner self and her outer appearance. But by its end, Long Live the Tribe of Fatherless Girls proves itself a moving ode to the family and identity Madden fiercely owns.