by Boaz Dror During our recent global pandemic, with so much indoor quarantining with family, I inadvertently developed an addiction to boardgames. I blame this on my screenwriter’s love for format constraints and creative limitations. After all, there is no better representation of a tight cognitive frame than a literal rectangular piece of cardboard into which story must fit. My newfound enjoyment soon sent me down a wormhole that gobbled up shelf-space and time. Fortunately, this tabletop tailspin led to Obsession, a boardgame in which players take on the roles of Victorian-era families vying for reputation and prestige. The game’s…