The Promised Land

by: Scotte Burns

Sunshine changes the world under your nose. There’s one kind of smell from pavement right after it rains, and a slightly different one when the sun heats it to a muggy steam afterward. Freshly mowed grass becomes muskier under the sun’s blanket, pine forests sharper in its embrace. On a motorcycle, immersion in the land’s constantly changing hues, from roadside to horizon, is inevitably chased by these shifting aromas, the speed of light being a bit faster than the speed of smell. And so, as we dove and crested blue-line highways through the pillowy hills of Iowa farmland between Council Bluffs and Des Moines, clouds burned away from the face of the sun, encouraging freshly tilled fields, wildflowers, and sheep farms to vie for dominance in color and scent.

Schrödinger’s Gun

By Greg A. Smith

CAST OF CHARACTERS
Roland – Male, Caucasian, Twenties
Freeman – Male, African-American, 50+
Griggs – Female, African-American, 25-40

SETTING
A small, bare room. Modern day.

Production History:
Staged Reading – Itinerant Theatre, LA; 2017
Staged Reading – City Theatre, FL; 2018

Awards:
City Theatre National Award for Short Playwriting – 2018 Finalist

 

A small, bare room. A metal table in the center, a beaten-up briefcase laid flat on it. Two men sit either side – ROLAND (Caucasian) and FREEMAN (African-American). Both wear civilian clothes, FREEMAN open-carries a gun in a holster. ROLAND appears a little nervous, antsy.

A moment’s uneasy silence.