TCR Talks with Eli Ryder

By: Daniela Montes

Eli Ryder is a man as diverse as the fiction he loves. He is a professor, a father, and a writer. He goes from playing the guitar and singing around a campfire to filling you with horror when you read his prose. His story “A Quiet Street” was a Roswell Award honorable mention this year. Eli is one of the cofounders of the online literary magazine Automata, where he and his colleagues publish prose that pushes the boundaries of weird.

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TCR Talks with Rebecca Makkai

BY: Kaia Gallagher

Acclaimed by Vanity Fair to be a rising literary star, Rebecca Makkai demonstrates her versatile storytelling ability in Music for Wartime, a collection of 17 stories written over a 13-year period. Reflecting on Makkai’s diverse career, the stories vary in their narrative structure but connect around the central themes of music and war. To tie them together, Makkai has added three oral history accounts shared by her paternal grandmother, Ignacz Rozsa, a famous actress and novelist in Hungary, and her father, Adam Makkai, a Hungarian-born linguist.

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TCR Talks with Tyler Dilts

By: Felicity Landa

Tyler Dilts spent his childhood investigating police work, hoping to one day follow in his father’s footsteps. Instead, he found himself to be much more interested in writing about crime than pursuing a career solving it and has since become the author of five books on crime fiction, including the Edgar Award nominated, Come Twilight, and the forthcoming, Mercy Dogs. His chilling and sometimes terrifying novels explore the complex and haunted characters of the Long Beach homicide department and the murders they solve. 

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TCR Talks with Ben Blatt

By: A.M. Larks

In his latest book, Nabokov’s Favorite Word Is Mauve, Ben Blatt uses his data journalism skills to tackle writing’s lingering questions and examine adverb usage, gender pronoun tendencies, reading levels, and writers’ favorite and fallback words.

Although Blatt uses statistical analyses to show that writers generally follow their own writing advice, word counts grow in size after the first publication, and co-authors rarely get equal title space on book covers, his work isn’t a math book disguised as a creative writing book. Blatt uncovers interesting insights into style and writing tendencies by looking at rule breakers and followers, including best sellers, critically acclaimed works, and fan fiction, to give the reading public and would-be authors a comprehensive view of what writing looks like by the numbers.

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TCR Talks with Jean Hastings Ardell

BY: Nathania Seales Oh

In Making My Pitch: A Woman’s Baseball Odyssey, Jean Hastings Ardell co-authors the deeply moving memoir of Ila Jane Borders, a woman shattering gender stereotypes in a male-dominated profession while navigating her secrecy, shame, and eventual acceptance of her sexual orientation.

Throughout the book, Ardell points to transformative moments of struggle in Borders’ life: as a child at home and in the church, as a young woman on the baseball field and in male locker rooms, and at a Christian university where she played before being signed to play professionally. There are moments of levity alongside anecdotes of profound loss and rejection that show the reader Borders’ path to authenticity and success.

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TCR Talks with Gayle Brandeis

By: Angela M. giles

I am not sure when I first became aware of Gayle Brandeis and her work. It was a few years ago, and truthfully, it was the story of her mother’s suicide that drew me to her. There is a strange bond between survivors of suicide, a shared understanding of that particular kind of loss and the way in which our kind of grief is often messy. I read a few of her essays online and was hooked. I poured through whatever I could get my hands on by her, and her poetry is amazing, by the way. I knew she was writing a book about her mother’s suicide, and whereas saying I was looking forward to it sounds a bit morose, I was. So, when the opportunity to speak with her about writing the book was presented, I was thrilled. It turns out, Gayle is as brilliant and kind in person as you hope she is, and she has an amazing ability to distill grace from even the most painful moments.

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TCR Talks with Helena Echlin and Malena Watrous

By: D.M. Olsen

When I found out that Helena Echlin and Malena Watrous, two instructors I’ve taken classes from at the Stanford Online Writer’s Studio, were collaborating on a YA novel, I was curious about their work. When I heard what their book was about, I was even more intrigued. A book about “mean girls with superpowers,” sounded entertaining and original. The protagonist, fifteen-year-old Laurel Goodwin, wakes up to find her older sister, Ivy, missing from their shared bedroom and is forced to team up with mean girls from Laurel’s high school to find her.

After reading the book and seeing all the amazing reviews online, I caught up with the authors, who graciously agreed to do a brief interview for The Coachella Review.

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TCR Talks with Ragnar Jónasson

By D.M. Olsen

On a recent visit to Reykjavik, Iceland, I found a great little bookstore in the downtown area. Eymundsson was a three-story establishment with a coffee shop on the third floor. I sought out the section by Icelandic authors and came across an impressive display for Ragnar Jónasson and his Dark Iceland Series. I knew that Nordic noir was very popular throughout the European zone, so I purchased a copy of Jónasson’s bestseller Snowblind. I read the first chapter that night, and tore through the rest of the book in a few days. Needless to say, it’s a gripping read. It tells the story of Ari Thor, a rookie police officer in an isolated Icelandic village investigating the mysterious death of a writer. After I finished it, I emailed Ragnar to see if he would be interested in doing an interview, expecting never to hear back. To my surprise, he responded, so I asked him a few questions about his books and his writing process over email.

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