TCR Talks with Steve Almond

By: Kaia Gallagher Described by commentators as funny, big-hearted and joyfully obsessive, Steve Almond has been a newspaper reporter, an acclaimed writer of short stories, an essayist and the author of ten books over his twenty-year writing career. Almond’s published short story collections include My Life in Heavy Metal (2002), The Evil B.B. Chow and Other Stories (2005), God Bless…

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Desert Seas

by: Anca Segall

Lars’ baby blue VW bug, rusty and dented, came to a stop in the rutted parking lot at the trailhead into Dark Canyon. Covered in nearly as much dust as the car, we both tumbled out into the scrub desert, already parched in May. Fable Valley had enough flash floods to make leaving our names at the BLM box prudent, though it was still early in the season. Eager to stretch our legs, we shouldered our backpacks and started down the steep trail into the valley.

We had driven down from Logan and stopped in Provo for a Saturday fair in the city park, where Lars did a brisk business drawing portraits of fair-going kids. He’d kept them captivated with stories on a rickety stool as he rendered their character in strokes of charcoal and Conte crayon. At midday, while families lunched and the kids trickled in more slowly, Lars had me pose for him, to pass the time and entice paying customers.

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You May Now Enter

By: Kit Maude

Eckersley had a loopy artist in her guest room and a boy begging at her door. Both were proving to be troublesome. The artist was loopy in the sense that he was probably insane, but also because he was stuck in a loop. Like the beggar boy, he appeared one day at Eckersley’s door announcing that he had a new performance project that he hoped to rehearse in Eckersley’s guest room. Because he was an old friend of Eckersley’s he was allowed in. He refused to say much about the performance.

The beggar boy came to Eckersley’s door at least once a week asking for clothes, food, and anything he might be able to sell. Also money, of course. Sometimes, usually, Eckersley gave him something, but sometimes she didn’t happen to have anything on her, or was in a bad mood. Occasionally, she was simply irritated by this boy who came so regularly to demand things for nothing.

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A Sensible Man

By  Julia María Schiavone Camacho

Portuguese Macau, China. Fall 1937.

Fairy tales never come true. Patricia would warn her daughter, if she ever had one, not to believe in storybook endings. A girl raised sensibly, not spoiled. Her own daughter. Angélica. Perhaps she would create her own tale, featuring a sensible prince. And some practical advice. Be sure he really is sensible, Angélica. Sensible as well as trustworthy and good, before you give your heart away.

Now she lumbered down the narrow passageway above the main plaza. Her shoulders slumped, her chest ached. For once she might be able to cry.

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With A Demon On Your Chest

BY: Severin AllGood

It’s Christmas Day and you lie in bed between two girls, but not in a hot, Cinemax After Dark type of way. More in the sense that you all took too many Xanax after you left the bar and passed out together fully clothed. The one girl’s room is a mess. Dirty dishes and overturned ashtrays are scattered around. Half-empty beer bottles with cigarette butts floating in them. Moldy to-go containers from every delivery place in a three-mile radius. Even huddled together with these two, you’re still freezing. You wonder if the house has heat. Winter in Portland is no place to be without heat.

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The Farmers in the Fields

BY: Ziaul Moid Khan

“Is it my right to snatch food from their hands?” I asked myself. The answer was a lone, long silence. This family had done a lot to get me here, at this position. Not that I was super rich and all that, but at least I was just above a hand-to-mouth condition. They were still there, squaring their shoulders with the same grinding poverty.

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Ritual to Ban the Sun

By: Audrey moyce

The moment Rachel woke up she knew she was going to masturbate. She felt the familiar ache in her groin, and the sweat around her neck held the whiff of preemptive shame. The Backstreet Boys in the posters above her bed looked down at her.

She must not. Must not. God was watching, and God-knows-who-else was, too. And every time you touch yourself, it lays another brick on the staircase to hell. She had to stop this before it began.

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