REVIEW: All the World Beside by Garrard Conley

Reviewed by Toby LaPlant Garrard Conley, author of the bestselling memoir Boy Erased, makes his fiction debut with All the World Beside, a soft-spoken exploration of the interplay between religious belief and personal fulfillment, and how love, in its many varieties, can expand our understanding of who makes up a family. With complex characters that embody contemporary relationships to sexuality…

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Voice to Books: Magical Realism and BIPOC Authors

  Magical realism is often associated with the works of Latin-American authors such as Gabriel García Márquez, Isabel Allende, and Jorge Luis Borges. However, in an essay for the New York Times titled “Saying Goodbye to Magical Realism,” Silvia Moreno-Garcia describes how the term can be problematic and limiting, not just for Latin-American authors, but for writers as a whole.…

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REVIEW: Yellowface by R.F. Kuang

Reviewed by Francesca Jimenez In Yellowface, R.F. Kuang delivers a bingeable, page-turner about cultural appropriation and racial identity. The novel also explores self-victimizing, delusional, and conspiratorial effects of social media, fueled by exploitative, capitalistic values that permeate publishing and are embedded in every crevice of society. Athena Liu and June Hayward followed identical writing paths throughout college, meeting at Yale…

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REVIEW: Age of Vice by Deepti Kapoor

Reviewed by Betty-Jo Tilley A car crash opens Deepti Kapoor’s novel, Age of Vice, the first of three sweeping sagas about organized crime in contemporary India. This prologue provides a metaphor for the story’s roadmap—a fast-paced and riveting collision course of deception, romance and ambition—and introduces the disparity between rich and poor in a world where only the wealthy win…

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REVIEW: Monsters: A Fan’s Dilemma by Claire Dederer

Reviewed by Melinda Gordon Blum In November 2017, Claire Dederer’s Paris Review essay “What Do We Do with the Art of Monstrous Men” documented her personal, lifelong experience of grappling with the problem of separating the art from the artist, exploring whether this is something achievable or even necessary. Monsters is, in part, the book-length outgrowth of that piece. A…

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REVIEW: Wolfish: Wolf, Self, and the Stories We Tell About Fear by Erica Berry

Reviewed by Jeannine Burgdorf Erica Berry’s first book, Wolfish: Wolf, Self, and the Stories We Tell About Fear, casts a wide net, examining definitions of nature, the built environment, borders, nations, history and the self within the context of characterizations of wolves. Ambitious in scope and at times dense with references that can seem digressive, the book maintains Berry’s thesis…

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