Edited by Cambria Matlow and Angelo A. Williams Voice to Books, meet Voice to Scripts! For this edition we decided to look closely at screenplays as literary documents possessing their own styles, shapes and textures. What kinds of literary choices can screenwriters make to elevate the impact of their stories? What role do craft elements like structure and word choice…
Edited by Cambria Matlow and Dave Oei Though for many of us these times feel unprecedented, the need to make “good trouble” is timeless. The term, coined by civil rights icon and United States Representative John Lewis, points to taking necessary actions of resistance against systems of oppression in service to our shared humanity and collective liberation. These works, ranging…
Edited by Dave Oei With the exploding popularity of Sarah J. Maas’s fantasy-romance series, A Court of Thorns and Roses, and the more recent bestseller Fourth Wing by Rebecca Yaros, the newly named genre romantasy has exploded. While lacking in specific definition, all such books share at least one common trait: Their plotlines require both fantasy and romance, though…
While Voice to Books has covered graphic novels and memoirs in the past, we couldn’t help noticing how many intriguing books from underrepresented communities have been published in the last three years—stories of difficult journeys, both physical and spiritual; of searching for one’s place in a new culture and finding an identity within a subculture; of intergenerational trauma and…
Magical realism is often associated with the works of Latin-American authors such as Gabriel García Márquez, Isabel Allende, and Jorge Luis Borges. However, in an essay for the New York Times titled “Saying Goodbye to Magical Realism,” Silvia Moreno-Garcia describes how the term can be problematic and limiting, not just for Latin-American authors, but for writers as a whole.…
Ask writers from a marginalized community about their workshop experiences, and far too many can reply with stories of being stereotyped, exoticized, infantilized, or disregarded—by fellow workshop participants and instructors alike—for being queer, non-white, female, gender-nonconforming, disabled, neurodivergent, etc. Although more people have vocalized these concerns and requested more diverse creative writing faculties, budget cuts and hiring freezes sometimes hamper…
Constraint is often the birthplace of creativity, but it is also the birthplace of struggle and limitation. Arguably, no other people know this better than queer people of color. Faced with the oppression of their very existence, their intersectional identities allow them to thrive in radical self-acceptance and illuminate the horrors they and others face in their daily lives with…
They are displaced, sometimes hunted, persecuted. Peoples forced from their homes due to war or violence. And if they come to the United States, only a fraction of them get in, and fewer still are welcomed by the masses. Here, those who survive poverty, politics, and ruin in their homelands are then confronted by those who spread violence, use them…
Celebrities often take an omnipotent position in modern society, acting as paragons, villains, and jesters of our time. Their opinions are met with adoration or disdain, satire, and protest. They influence style, commerce, and politics, and we, the readers, guide their rises and their falls. They walk the fine lines of artists, athletes, influencers, and journalists who must balance both…