Ask writers from a marginalized community about their workshop experiences, and far too many can reply with stories of being stereotyped, exoticized, infantilized, or disregarded—by fellow workshop participants and instructors alike—for being queer, non-white, female, gender-nonconforming, disabled, neurodivergent, etc. Although more people have vocalized these concerns and requested more diverse creative writing faculties, budget cuts and hiring freezes sometimes hamper…
Constraint is often the birthplace of creativity, but it is also the birthplace of struggle and limitation. Arguably, no other people know this better than queer people of color. Faced with the oppression of their very existence, their intersectional identities allow them to thrive in radical self-acceptance and illuminate the horrors they and others face in their daily lives with…
Reviewed by L.A. Hunt In Liz Prato’s latest collection of essays, Kids in America: A Gen X Reckoning, she examines Gen-Xers through first-hand boots-on-the-ground accounts. The thing is, as any Gen-Xer will argue, there’s no real club membership card or forgotten generation subscription, and they prefer it that way. They proudly defy categorization, which makes it difficult to sort an…
by Melinda Gordon Blum Elissa Bassist’s memoir opens like a medical mystery and segues into a searing indictment of the personal costs—to the soul, body, mind, and spirit—of the malady that is living as a woman within a patriarchy. It turns out there is no real mystery and Bassist is no patient zero; this is an ancient story, an inside-the-house…
They are displaced, sometimes hunted, persecuted. Peoples forced from their homes due to war or violence. And if they come to the United States, only a fraction of them get in, and fewer still are welcomed by the masses. Here, those who survive poverty, politics, and ruin in their homelands are then confronted by those who spread violence, use them…
Celebrities often take an omnipotent position in modern society, acting as paragons, villains, and jesters of our time. Their opinions are met with adoration or disdain, satire, and protest. They influence style, commerce, and politics, and we, the readers, guide their rises and their falls. They walk the fine lines of artists, athletes, influencers, and journalists who must balance both…
by Melinda Gordon Blum The memoir Nein, Nein, Nein! has us at its subtitle. The “one man” is none other than Jerry Stahl, whose acerbic humor and kinetic prose transported his book Permanent Midnight into a fever dream classic, a standout in the crowded “junkie memoir” genre. Who better to pen a modern-day reckoning with the legacy of the Holocaust…
by Trey Burnette Making mortgage payments, paying off credit card and student loan debt, and season tickets to the opera are excellent reasons for becoming an accomplice to your revolting non-boyfriend/boyfriend’s murders. At least they are for Charlie from Leitchfield. And even though his sort of love interest, Jignesh, is “a pompous sea monster from the depths of the Indian…
Reviewed by Peter Mladinic Poems are written by human beings “alone in a room” with language. They come out of lived lives. The poems in Madrigals come out of Caroline Goodwin’s lived life—things she has touched and ground she has stood on, alone and with others. Sometimes, that ground is a floor in a room, other times a forest floor,…