Book Review: Adam Nemett’s “We Can Save Us All”

By David M. Olsen

We Can Save Us All is an ambitious debut by a very talented Adam Nemett. The book begins with a chance meeting of our rather nerdy protagonist, David Fuffman, in an odd, drug-enhanced damn-building exercise where he meets the charismatic and wealthy Mathias Blue—in a frigid river, at Princeton. This clever scene is a fun springboard into the witty, satirical, and nihilistic novel that is to follow. The story is set in the near future where all-too-realistic issues of war and climate change combine with a phenomenon called “Chronostrictesis,” where time itself seems to be coming to an end as though through a funnel: human existence as we know it is no longer, as the characters have to stockpile food and supplies for the severe weather and the impending superstorm.

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TCR Talks with Min Kahng

By Grace Jasmine

 

Min Kahng is an inspiring and inclusive force in the San Francisco Bay area theater scene. The world premiere of his most recent play, The Four Immigrants (based on the historical, groundbreaking manga panel-drawn comic strip by Henry Kiyama), premiered at the innovative TheatreWorks, Silicon Valley, and won the Theatre Bay Area Award for Outstanding Original Musical, the Edgerton New Play Award, and an NAMT Production Grant. The Four Immigrants chronicles the lives of four Japanese students as they immigrate to the California bay area.  Kahng has also been the recipient of the Titan Award for Playwrights.

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Bomb

BY: Mir-Yashar Seyedbagheri 

“I didn’t say bomb,” Mustafa Bey said to his son David, his words inflected with his harsh Turkish accent. “I said bum. Tell them, my boy. Tell them your father isn’t a fucking terrorist.”

“You said bomb on an airplane,” said the TSA agent, whose name was Lawrence. They were both in his office, having been ejected from their flight prior to takeoff.

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Book Review: Micah Perks’ “True Love”

BY: A.M. Larks

Everyone I know is looking for a way to escape, hit pause on reality, and just take a breath; get immersed in something else, someone else, anything else because the real world seems too much to bear. And I am no exception. I do it too. Because at its heart, that’s what reading is: a way to escape the world around you, which makes it ironic that my escape would be reading about characters who are trying to escape their own complicated fictional lives in True Love And Other Dreams of Miraculous Escape by Micah Perks.

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KICKING: A Coming-of-Age Tale of Two Fetuses

By Karina Cochran

 

CHARACTERS:

HAROLD (any age, any gender)

FRANK (any age, any gender)

(the names Harold & Frank are placeholders; they never say each other’s names)

SETTING: A small space (chairs, pillows, blocks) all pink, representing a womb.

 

(HAROLD and FRANK sit in two chairs next to each other. Harold is sitting on top of a chair, his feet resting on the seat. Frank is sitting in the chair with his feet solidly on the ground. Harold is slightly hunched, reaching toward Frank’s body. Frank is leaning over the chair against Harold’s legs. They are each entangled in pink ropes, surrounded and holding pink cushions.)

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Book Review: Nicole Chung’s “All You Can Ever Know”

BY: A.M. Larks

It is our origin stories that shape us. How we came to be in this world matters almost as much as what we do in it. There is a natural and innate curiosity to know the facts that happened before our consciousness, that ties us to our personal histories, to our culture, and to a larger family history. “Family lore given to us as children has such a hold over us, such staying power. It can form the bedrock of another kind of faith, one to rival any religion, informing our beliefs about ourselves, and our families, and our place in the world,” Nicole Chung writes in All You Can Ever Know. These stories are often simplified down to almost anecdotal summation, like my spouse who blames his perpetual tardiness on being late for his own due date. He came out a month late but only by inducement. He was late in the beginning and therefore will always be late.

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TCR Talks with Ruth Nolan

BY: Nathania Seales Oh

In a time when the power of a woman’s voice rings louder and clearer than ever, Ruth Nolan is putting her money where her mouth is. From the beautiful ecopoetry in her latest project, Fire and Rain: Ecopoetry of California, where she acted as coeditor and contributor, to her deeply personal poetry collection Ruby Mountain, Nolan is, in a word, an activist. She is a profound advocate for the respect and conservation of the California desert, a landscape she has always called home. She speaks not only to its beauty but also to its transformative power. Nolan tells of our relationship, history, and encroachment upon lands where wildfires have burned for centuries. Yes, it’s true. Wildfires are not a new thing. Our living in the places where they unfold, is. She also reminds her readers, students, and fan base of the importance of speaking your truth. As we witness this watershed moment in time, The Coachella Review is honored to spend time in conversation with the passionate and incomparable Ruth Nolan.

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Goðafoss

BY: Jennifer Harvey

She heard them, before she saw them. Felt the tremor in the soles of her feet, as the energy shuddered through her. And when she turned around, there they were. Horses. Too many to count.

She watched them ford the river at a shallow point where the rocky bed was visible, their snorts as wild and free as the rush of the water, and the sight of them frightened her. Something about the movement—the ripple and flow of their manes, the sound of hooves on rock, the way the tension in the muscles was so visible, and the whites of their eyes so emphatic—seemed to slow time and silence everything. All she could do was stand there, in that improbable hush, unable to move.

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Book Review: Kim Brooks’s “Small Animals: Parenthood in the Age of Fear”

By: Felicity Landa

Kim Brooks’s book, Small Animals: Parenthood in the Age of Fear, begins with a flurry of emotions that I suspect will be as familiar to other parents as it was to me. In a rush of stress and worry mixed with the impulse to placate her child in a tense situation, Brooks made a split-second decision to leave her four-year-old son in the car while she ran into the store. She was gone for five minutes. She could see the car from the front store windows. And while her son was perfectly fine when she returned, this seemingly trivial decision led to one of the most monumental consequences of Brooks’s parenting years. Someone had filmed her, and sent the video to the police.

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