By Sara Grimes In Natashia Deón’s second book, The Perishing, Lou, a Black youth with no memory of her past, wakes up fighting for her life in an alley in 1930’s Los Angeles. She gets taken under the wing of a police officer who helps her as she adjusts to life in a foster home. But, as Lou transitions into adulthood, she starts to unpack the nuances of her school, foster life, and relationship with the tokenizing police force for racism, both ordinary and violent. As Lou forms subversive romantic relationships and takes on a role as a journalist at…
by Sara Grimes Ajit Dutta is a poet and graduate of UC Riverside-Palm Desert’s low-residency MFA program. His book, A Lover’s Sigh, is a translation of Urdu love poetry in a form called the “ghazal,” comprised of five-15 thematically autonomous couplets. It is Dutta’s work of the heart, combining classical and modern influences ranging from Indian and Pakistani songwriters to historical political figures. Dutta’s translation approach included listening to a wide range of singers performing ghazals. He fell in love with the form at sixteen, after purchasing a stack of ghazal poetry at a bookstore before a train ride to…
by Sara Grimes Elizabeth A. I. Powell doesn’t pull any punches when satirizing her lovers in Atomizer. The collection is a sassy, whip-smart treatise on the deceitful nature of love, using the extended metaphor of scent as a cover-up. Powell brings each love under the microscope of her fierce poetry to see if it is in fact a gem or a lump of coal. Oftentimes it is the latter. She extends the same analysis to all love relationships—romantic, imagined, or familial. In “The Book of Sires”: “My homage: He was an atelier of garbage. How his microaggressions of Paco Rabanne…
by Sara Grimes The sweetness of Convenient Amnesia, Donald Vincent’s debut poetry collection, took me to new heights before unsettling me in the pit of my stomach. Vincent catches us off guard by capturing breathtaking beauty before leveling us with the realities of twisted wrongs against the Black community. The first poem, “Lucky Charm,” sets the tone: “You knew about it but forgot like last week’s newspaper / headline. / I want to whistle whimsical feelings to white women, / Emmett Till’s charm.” Convenient Amnesia summons all the appeal and literary acumen required of it as a fierce debut book of…