Stream This Sunday: Afrohorror and Visibility: A Genre for Truth

By Taj R. Harvey Musical legend Gregory Tate once said, “Being Black in America is a science fiction experience.” For some, stories like the X-Men, Hunger Games, Fahrenheit 451, and The Handmaid’s Tale feel recent, relevant, and scary, but for African Americans who have lived in the United States for over 400 years, those stories have been a consistent reality…

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TCR talks with Albert Kim, showrunner for Netflix’s Avatar: The Last Airbender

By Sean Belfina  Water, earth, fire, air. Fans of Nickelodeon’s beloved animated series Avatar: The Last Airbender know the rest. Its element-bending action, humor, and heart glued many to their television sets during its original run from 2005-2008. Heavily influenced by Asian culture, the show broke westernized fantasy stereotypes and spotlighted representation. Now, Netflix has adapted the show into a…

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Interview: Spiral screenwriters Josh Stolberg and Pete Goldfinger talk to The Coachella Review

By Katie Gilligan   I was lucky enough to sit down (via Zoom) with writing team Josh Stolberg and Pete Goldfinger to talk about their new movie, Spiral, the ninth installment of Saw, one of the most successful horror franchises of all time. The latest piece of the puzzle (pun intended) follows police veteran Marcus (Samuel L. Jackson), brash Detective…

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Summer Blockbusters of Yore: The Twentieth Anniversary of an Overshadowed Trilogy

By Pallavi Yetur Early this year, New York magazine published a feature entitled “We Are Living in the Matrix.” The February 4, 2019 issue included several pieces about the lasting impressions left by The Matrix on everything from the way we think about and engage with the internet, to how it inspired fashion houses to send tiny-lensed sunglasses and billowing…

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The Favourite and Mary Queen of Scots: Putting the Period in a Period Piece

By: Pallavi Yetur As the Oscars approach, the clear message is that among 2018’s films about lady English monarchs, The Favourite was the favorite. With ten nominations, including Best Picture, Best Director, and Best Original Screenplay, the film was director Yorgos Lanthimos applying his signature darkly comedic treatment to the story of a crumbling Queen Anne and the two women…

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