by Melinda Gordon Blum Elissa Bassist’s memoir opens like a medical mystery and segues into a searing indictment of the personal costs—to the soul, body, mind, and spirit—of the malady that is living as a woman within a patriarchy. It turns out there is no real mystery and Bassist is no patient zero; this is an ancient story, an inside-the-house…
Book Reviews
They are displaced, sometimes hunted, persecuted. Peoples forced from their homes due to war or violence. And if they come to the United States, only a fraction of them get in, and fewer still are welcomed by the masses. Here, those who survive poverty, politics, and ruin in their homelands are then confronted by those who spread violence, use them…
Celebrities often take an omnipotent position in modern society, acting as paragons, villains, and jesters of our time. Their opinions are met with adoration or disdain, satire, and protest. They influence style, commerce, and politics, and we, the readers, guide their rises and their falls. They walk the fine lines of artists, athletes, influencers, and journalists who must balance both…
by Melinda Gordon Blum The memoir Nein, Nein, Nein! has us at its subtitle. The “one man” is none other than Jerry Stahl, whose acerbic humor and kinetic prose transported his book Permanent Midnight into a fever dream classic, a standout in the crowded “junkie memoir” genre. Who better to pen a modern-day reckoning with the legacy of the Holocaust…
by Trey Burnette Making mortgage payments, paying off credit card and student loan debt, and season tickets to the opera are excellent reasons for becoming an accomplice to your revolting non-boyfriend/boyfriend’s murders. At least they are for Charlie from Leitchfield. And even though his sort of love interest, Jignesh, is “a pompous sea monster from the depths of the Indian…
Reviewed by Peter Mladinic Poems are written by human beings “alone in a room” with language. They come out of lived lives. The poems in Madrigals come out of Caroline Goodwin’s lived life—things she has touched and ground she has stood on, alone and with others. Sometimes, that ground is a floor in a room, other times a forest floor,…
by Alessandro Romero Jordan Salama demonstrated that, like gold, stories can be found by looking into a river. After all, his debut book, Every Day the River Changes, ultimately tells a formidable story about other stories. On an adventure down the Magdalena River, Colombia’s most treasured waterway, Salama aims to push back social stigmas that misconstrue the country’s conflicted…
According to the CDC, one in four people in the United States live with some type of disability, whether visible or less apparent. Without respectful discussion and proper representation in the media, those living with disabilities are often stereotyped and misrepresented. This is also true for people who don’t always consider themselves disabled, such as Deaf and Blind folk. This…
by Daniela Z. Montes Within These Wicked Walls, by Lauren Blackwood, is an Ethiopian retelling of Jane Eyre. The classic may be the inspiration, but Blackwood takes the bones and runs. We first meet the protagonist, Andromeda, in a carriage crossing the desert. The driver drops her off far away from her destination, but it is the closest he will…
Reviewed by Michael Medina Writers speaking on the topic of race or sexual orientation are habitually hypersensitive of how they portray minority groups, even when said writers are among those minorities, which can so often take away from the raw truth of a story. Casey Hamilton, however, doesn’t hold back, doesn’t edit uncomfortable truths in his characters or the minority…
By L.A. Hunt Monsters hide in plain sight in Cadwell Turnbull’s second novel, No Gods, No Monsters. At the midpoint, when crowds take to the streets to advocate for the rights of the newly discovered monsters, Turnbull writes, “Even in a cause that is stacked against them, no one is alone.” Turnbull deftly examines what it means to live…