Category: Uncategorized (Page 1 of 2)

TCR Talks With Michele Filgate

By: Felicity Landa

Shortly after Michele Filgate’s deeply personal essay about her relationship with her mother was published on Longreads, it went viral. “Our mothers are our first homes, and that’s why we’re always trying to return to them,” she begins in her poignant and moving piece. In her essay, Filgate breaks her silence to tell the story of why her relationship with her mother is so painful.

“I wrote this essay because I felt like we couldn’t have this conversation in real life,” she tells me during our interview. In doing so, Filgate unearthed a community of people who also had stories about all the things they couldn’t talk about with their mothers. “Knowing that something can speak to a stranger and make them feel less alone, and really resonate with them—that’s the power of words,” she says. The overwhelming response to Filgate’s words gave her the idea to compile an anthology named for her original essay: What My Mother and I Don’t Talk About.

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We Are All Karolina

by Cynthia Bruckman

“EXCUSE ME, MISS! ARE YOU JEWISH?”

I had just moved from San Francisco to New York City. I was walking down Park Avenue, heading to the 6 train after a particularly grueling day of work, when I was approached by two young men from the Chabad, an Orthodox Jewish Hasidic movement, waving what looked like willow branches at me as they shouted and ran in my direction. I had that dark-haired “Jewish look,” I suppose, that they were eagerly scouting for in rush-hour Manhattan during Sukkot. They were very excited.

“It depends on how you define ‘Jewish,’” I answered. It appeared as if I were about to be blessed by their branches, and as a newly arrived New Yorker, I needed to be blessed.

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TCR Talks with Abby Geni

BY: A.e. SANTANA

Abby Geni is the award-winning author of The Lightkeepers and The Last Animal. Her latest novel, The Wildlands, explores the traumatic repercussions of a category five hurricane when it hits Mercy, Oklahoma, and demolishes the home of the McCloud family. Orphaned, the children attempt to go on with their lives but are swept into a world of dangerous, fanatical eco-terrorism that is both frightening and understandable. Through their story, Geni examines the turbulent state of our natural world and plays with the line between saving the planet and destroying ourselves.

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The Sophia Poems

By: Patrick Reichard

The Cliffhanger Dilemma

Let’s say you are holding two loved ones over the edge of a cliff, one on each arm. If you had to drop one in order to save the other one, which person do you save? Mom or Dad? Brother or sister? Spouse or kid? Kid 1 or kid 2? Do you drop both because the choice is too equal? People try to say that they would use their super-strength adrenaline to pull both up. That’s a cop-out. You have to choose. For me, the answer is easy: Mom, my brother Dan, and spouse. I have an answer to the kid question, but I’m not going to write it down. Though, if the situation arises, I know what I’m doing.

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Book Review: Lawrence Davis’ “Blunt Force Magic”

By: A.E Santana

Janzen Robinson has been trying to forget his past and move forward with a boring, mundane life as a delivery man. This intention is interrupted when he saves a young woman from a Stalker—an evil from the Abyss—and is thrown back into a life of magic, monsters, and the pain he was trying to forget. With help from old allies and new companions, Janzen does his best to save the life of an innocent while not getting everyone killed in the process.

Blunt Force Magic is the debut novel of Lawrence Davis, a U.S. Army infantryman who served three tours overseas. This novel is the first in the Monster and Men

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Summer 2017


Rachel Linn

Nonfiction | Encryption

Andrew Roe

Fiction | Not the L.A. in My Mind

Bree A. Rolfe

PoetryIn the Waiting Room of the Dell Children’s Hospital CF Clinic
at Age 40 and A Few Seconds to Answer

Roger Topp

Nonfiction | The Little Boxes Have Holes

Rachel Pollon

Fiction | Horses

Thea Goodman

Nonfiction | Hands

Stephen Massimilla

Poetry | The Thing That I Was Then and All of This and Nothing

Brian W. Robinson

Drama | Jackasses Can Carry Heavy Loads

Carolyn Divish

Fiction | Tansy’s Rapture

megan culhane galbraith

Nonfiction | Talking Points

Lance Duncan

Fiction | The Pit of the Groove

Wren Tuatha

Poetry | Go Ahead

Parker Blaney

Nonfiction | The Banyan Tree

Anna Kelley

Poetry | Joan in Skates and Seeking Muse #11

Nicole Cooley

Poetry | Garden in a Bottle, New Orleans and Marriage, Objects

Susan Taylor Chehak

Fiction | Blessed

Jennifer Lang

Nonfiction | Sealed

Melissa Febos

Interview | TCR Talks with Melissa Febos

The Coachella Review is a literary arts journal published by the University of California, Riverside–Palm Desert Low Residency MFA in Creative Writing & Writing for the Performing Arts.

TCR Talks with Helena Echlin and Malena Watrous

By: D.M. Olsen

When I found out that Helena Echlin and Malena Watrous, two instructors I’ve taken classes from at the Stanford Online Writer’s Studio, were collaborating on a YA novel, I was curious about their work. When I heard what their book was about, I was even more intrigued. A book about “mean girls with superpowers,” sounded entertaining and original. The protagonist, fifteen-year-old Laurel Goodwin, wakes up to find her older sister, Ivy, missing from their shared bedroom and is forced to team up with mean girls from Laurel’s high school to find her.

After reading the book and seeing all the amazing reviews online, I caught up with the authors, who graciously agreed to do a brief interview for The Coachella Review.

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Book Review: Laurent Binet’s “The Seventh Function of Language”

By: John Flynn-York

Laurent Binet’s first novel, HHhH (short for “Himmlers Hirn heisst Heydrich,” which, translated, means “Himmler’s brain is called Heydrich”), was a fictional reconstruction of the assassination of the Nazi Reinhard Heydrich. The novel’s narrative fluctuated between past and present, history and story. In the past, Heydrich rises to power in the Third Reich, committing unspeakable atrocities along the way, while two operatives—the Czech Jan Kubiš and the Slovak Jozef Gabčík—plan to kill him. In the present, the narrator grapples with this story and how best to write it, drawing on books, museums, and other references to recreate it in detail. The brilliance of the book came from the tension between these perspectives. What does it mean to recreate history? Can we understand the way historical figures understood things—that is, can we get inside their heads? Can we ever know the truth? In other words, HHhH was as concerned with what it means to tell a story about history as it was with the historical events themselves.

Binet’s new book, The Seventh Function of Language, similarly takes its inspiration from a real event: the accident that claimed the life of the semiologist Roland Barthes. Out of this incident, Binet spins a madcap tale of intellectuals run amok that is by turns wildly entertaining, mildly frustrating, and intellectually captivating—and only sometimes faithful to the historical record.

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Bienvenidos a Pilsen

By: todd Gastelum

One

I was used to rebooting my life: CTL+ALT+DEL and voilà, tabula rasa.

About to turn thirty, it was time for me to move. Once again, I was leaving a boyfriend I’d taken up with in a previous life. Once again, it was me who fucked things up. Now I needed my own place. I was hoping for the top floor of a brick three-flat, preferably with hardwood floors, a bay window, and crown molding. Somewhere near the 18th Street stop on the Blue Line with a view of buckled chimneys, waltzing antennas and the Baroque twin towers of St. Adalbert’s.

That’s not the apartment I found.

My new place was the rear unit on the top floor of an architecturally featureless building, whose ground floor taquería would eventually add another ten pounds to my frame. The apartment had been recently remodeled with a coat of white matte and cheap beige linoleum that still reeked of glue. There were just three rooms: a bedroom, a bathroom, and a kitchen/dining/living room too cramped to qualify as open concept. All the doors were standard-issue Home Depot as were the kitchen cabinets and bathroom fixtures. The tiny window over the kitchen sink gazed into a narrow air shaft, and the double-paned windows behind my futon framed an alley with a backbone of splintered utility poles and drooping cables. If I lived a dozen floors higher, I’d have been able to see the lake, but I didn’t and I couldn’t. I had no link to the natural world—only the constant rumbling of big rigs speeding toward the Stevenson Expressway.

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Book Review: Kendra Tanacea’s “A Filament Burns in Blue Degrees”


BY: Catherine M. Darby

A Filament Burns in Blue Degrees by Kendra Tanacea is a haunting first collection of poems released this year by Lost Horse Press. Tanacea is a master of the moment—not straight-on moments, but rather, ones full of visuals and emotions that transport the reader into Tanacea’s world. In this world, the reader becomes a lover, beloved, betrayed, friend, child, and want-to-be-mother, all while ruminating about life and the fullness it can offer.

Her poems intelligently meander on corners of braided rugs and peep through keyholes to see what life is beyond that usual existence of life, her words intoning the mysteries and science of the universe.

In “Keyhole,” the narrator looks through the keyhole of a locked door, straining to see “what is out of sight.” The words deliver full sensory experiences of an ever-widening life:

There is the scent of man, of woman, of cedar.
The eye shifts, straining in its socket.
French doors open onto a veranda
overlooking an ivy-walled garden.
The round moon is rising, giant and yellow.
Star jasmine, star jasmine!
An eye can see far beyond
its scope: solar systems, galaxies,
the Milky Way’s skid of stars.
All atoms, revolving around one another.

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