Category: screenwriting

Dark Ocean Night

By Allen M. Price

EXT: ROCKY POINT PARK – AFTER WORK – NIGHT

In view of the coastline, but a distance away. The unlit amusement park rides hug the night sky.

A SHIP HORN SOUNDS

Ezekiel and Patience and Matthew sit on the rock wall, cartons of clam chowder and clam cakes and beer are next to them. The moon and the stars reflect in the ocean. The ocean waves slap against the rock wall; it’s high tide. A light breeze blows.

Patience takes her sandals off, dips her feet into the water. Ezekiel lights a joint then passes it to Patience. Matthew’s drinking a beer and smoking a cigarette.

None of them has touched their food.

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Shaking Coco – A Short Screenplay

By Kevin Kautzman & Abbie Lucas

INT. RITZ GENEVA LOBBY – DUSK

JENNIFER (F 50), a flustered Texan “of a certain age,” enters a bustling hotel lobby. Her flats SLAP against the checkered floor. She checks in with a passport and gold credit card. Très fabu.

Behind her, a polished but anachronistic flapper type FIGURE (F 30) appears and positions herself at the concierge desk. You know her but you don’t. Jennifer DARTS a glance toward the Figure. A faceless hand SWIPES the gold card.

JUMP CUT TO:

INT. THE SUITE – DUSK

The door SHUTS and Jennifer faces Lake Geneva at magic hour: golden, stunning, a heck of a long way from Texas. She reveals and FLICKS a business card: “Thomas Egger Ph.D., Université de Genève.” She places the card onto a surface and takes a toiletry bag from her luggage.

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TCR Talks with Elizabeth Crane

BY: Jaime Parker Stickle

Elizabeth Crane is the author of such novels as We Only Know So Much and The History of Great Things. She has a unique, honest, and quirky voice, and you’ll relate to her characters, even those at odds with each other, recognizing them as friends or family. Crane’s writing is addictive in all the best ways.

When film director/writer/producer Donald Lardner Ward suggested Crane adapt her novel We Only Know So Much into a screenplay, she did. The result is an award-winning film.

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TCR Talks with Janet Batchler

By Billy Minshall

Janet Scott Batchler is the author (with her husband and writing partner, Lee Batchler) of Smoke and Mirrors, Batman Forever, Pompeii, and My Name Is Modesty. Most recently, they have written Jack and Dick, a behind-the-scenes look at the 1960 Kennedy-Nixon election, set to go before the cameras in 2019 with Hyde Park Entertainment. She is a graduate of the prestigious Directing Workshop for Women at the American Film Institute and served on the Board of Directors of the Alliance of Women Directors from 2004 to 2010. Batchler is currently a screenwriting professor at the University of Southern California’s School of Cinematic Arts.

The Coachella Review talks with Batchler about writing, teaching, and the film business.

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